horizon line

p. 5

...uncertainty multiplied, so much so that one day, months after the deputy's absurd proposal, a researcher became lost in the labyrinthine catacombs of the archive of the dead, having come to the Central Registry in order to carry out some genealogical research he had been commissioned to undertake. He was discovered, almost miraculously, after a week, starving, thirsty, exhausted, delirious, having survived thanks to the desperate measure of ingesting enormous quantities of old documents which neither lingered in the stomach nor nourished, since they melted in the mouth without requiring any chewing. The head of the Central registry, who, having given the man up for dead, had already ordered the imprudent historian’s record card and file to be brought to his desk, decided to turn a blind eye to the damage, officially attributed to mice, and immediately issued an internal order making it obligatory, at the risk of incurring a fine and a suspension of salary, for everyone going into the archive of the dead to make use of Ariadne's thread.

p.13

Imagine now, if you can, the state of nerves, the excitement with which Senhor Jose opened the forbidden door for the first time, the shiver that made him pause before going in, as if he had placed his foot on the threshold of a room in which was buried a god whose power, contrary to tradition, came not from his resurrection, but from his having refused to be resurrected. Only dead gods are gods forever.

p.32

Then, absurdly, as if his brain had suddenly run out of control and gone shooting off in all directions, as if time had collapsed everything, backwards and forwards, compressing everything into one compact moment, he thought that the child whom he had heard crying behind the door was, thirty-six years before, the unknown woman, that he himself was a boy of fourteen with no reason to go looking for anyone, much less at that time of night. Standing on the pavement, he looked at the street as if he had never seen it before, thirty-six years ago the street lamps shone more dimly, the road wasn't tarmacked, it was cobbled, the sign over the corner shop said it as a shoe shop, not a fast-food place. Time moved, began to expand slowly, then faster, it seemed to buck violently, as if it were inside an egg struggling to get out, the roads succeeded one another, became super-imposed, the buildings appeared and disappeared, they changed color, shape, everything was jockeying anxiously for position before the light of the day came to change it all back. Time started counting the days from the very beginning, using a multiplication table to make up for the delay, and it did this so accurately that Senhor Jose was once again fifty years old when he reached home. As for the tearful child, it was only an hour older, which just goes to show that, even though the clock would like to convince us otherwise, time is not the same for everyone.

p.192

One matter, however, historians, art critics and archaeologists are in agreement, the obvious fact that the General Cemetery is a perfect catalogue, a showcase, a summary of all styles, especially architectural, sculptural and decorative, and therefore an inventory of every possible way of seeing, being and living that has existed up until now, from the first elementary drawing of the outline of the human body, subsequently carved and chiseled out of bare stone, to the chromium-plated steel, reflecting panels, synthetic fibers and mirrored glass which are used willy-nilly in the current age.

p.209

His eyes were closed, he was half-conscious, but he said, I'm here, I'm here, twice out loud, then opened his eyes to the mean little space where he had lived for so many years, he saw the low ceiling, the cracked plaster, the floor with its warped floorboards, the table and the two chairs in the middle of the living room, if such a term has meaning in a place like this, the cupboard where he kept the clippings and photos of his celebrities, the corner beyond which lay the kitchen, the narrow recess that served as a bathroom, that was when he said, I must find a way of freeing myself from this madness, he meant, obviously, the woman who would now forever be unknown, the house, poor thing, was not to blame, it was just a sad house. Fearful that the dream would return, Senhor Jose did not attempt to fall asleep again. He was lying on his back, looking up at the ceiling, waiting for it to ask him, Why are you looking at me, but the ceiling ignored him, it merely observed him, expressionless.

p.210-211

...Only a ceiling would come up with such an absurd idea, I believe I've told you on another occasion that the ceilings of houses are the multiple eye of God, I don't remember, I may not have said it in those precise words, but I'm saying it now..